Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Studo for Diego Martelli oil painting


Studo for Diego Martelli
mk194 1879
Painting ID::  49181 		Edgar Degas
Studo for Diego Martelli
mk194 1879
   
   
     
Edgar Degas Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist oil painting


Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist
mk194 c.1870-71 Oil on canvas 54x40cm
Painting ID::  49182 		Edgar Degas
Lorenzo Pagans Spanish Tenor,and Auguste ge gas,Father of the artist
mk194 c.1870-71 Oil on canvas 54x40cm
   
   
     
Edgar Degas Cotton Merchants in New Orleans oil painting


Cotton Merchants in New Orleans
mk194 1873
Painting ID::  49183 		Edgar Degas
Cotton Merchants in New Orleans
mk194 1873
   
   
     
Edgar Degas Alice Villette oil painting


Alice Villette
mk194 1872
Painting ID::  49184 		Edgar Degas
Alice Villette
mk194 1872
   
   
     
Edgar Degas At the races The Start oil painting


At the races The Start
mk194 c.1860-62
Painting ID::  49185 		Edgar Degas
At the races The Start
mk194 c.1860-62
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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